Behringer XENYX XL2400 24-Input 4-Bus Live Mixer
Behringer XENYX XL2400 24-Input 4-Bus Live Mixer
Introducing a bold new line of live sound mixers that combine professional features, dramatic styling and astounding value. XL Series' intuitive layout and color-coded control interface is designed to make them easier to use. We've added the features you've been asking for and then some. And of course the XL3200, XL2400 and XL1600 are built around our proven XENYX high-headroom, low noise mic preamps and warm, musical EQ.
The Ins and Outs
Some manufacturers can be sneaky when they tell you how many inputs their mixers have, counting features like CD/TAPE IN as an input. But the XL series really gives you 8 (XL1600), 16 (XL2400) and 24 (XL3200) mono channels and four stereo channels (with two 1/4" inputs apiece-an additional 8 line-level inputs (which can also be used for 4 additional mono mic channels), making it easy to accommodate a wide variety of live performance configurations.
Depending on which XL mixer you choose, that means you can connect up to 8, 16 or 24 microphones (or other mono instruments) and up to four stereo instruments (keyboards, for example). You also get four buses, allowing you to assign multiple channels-say all the mics on a drum kit or all the backup singers' mics-to a single fader.
Best of all, you don't need a black belt in engineering to operate the XL series. To get started, assign all mics and instruments to their channels by connecting them to the corresponding jacks on the back panel. Now, get ready to quickly become acquainted with the XL series' incredibly user-friendly design.
Features
Introducing a bold new line of live sound mixers that combine professional features, dramatic styling and astounding value. XL Series' intuitive layout and color-coded control interface is designed to make them easier to use. We've added the features you've been asking for and then some. And of course the XL3200, XL2400 and XL1600 are built around our proven XENYX high-headroom, low noise mic preamps and warm, musical EQ.
The Ins and Outs
Some manufacturers can be sneaky when they tell you how many inputs their mixers have, counting features like CD/TAPE IN as an input. But the XL series really gives you 8 (XL1600), 16 (XL2400) and 24 (XL3200) mono channels and four stereo channels (with two 1/4" inputs apiece-an additional 8 line-level inputs (which can also be used for 4 additional mono mic channels), making it easy to accommodate a wide variety of live performance configurations.
Depending on which XL mixer you choose, that means you can connect up to 8, 16 or 24 microphones (or other mono instruments) and up to four stereo instruments (keyboards, for example). You also get four buses, allowing you to assign multiple channels-say all the mics on a drum kit or all the backup singers' mics-to a single fader.
Best of all, you don't need a black belt in engineering to operate the XL series. To get started, assign all mics and instruments to their channels by connecting them to the corresponding jacks on the back panel. Now, get ready to quickly become acquainted with the XL series' incredibly user-friendly design.
Features
- Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications
- 20 state-of-the-art XENYX Mic Preamps plus 4 stereo Line inputs with ultra-high RFI suppression designed for live application
- Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound
- 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A
- 6 Aux sends per channel: 4 pre/post fader switchable for flexible routing
- Channel inserts and direct outputs on each mono channel
- Clip and Signal LEDs plus 80 Hz, EQ, Mute, Solo, Subgroup and Main routing switches on all channels
- 2 multi-functional stereo FX returns with comprehensive routing options
- 2 Headphone and Speaker outputs with selectabe Main/CD/Tape inputs
- Solo-In-Place with PFL/AFL function plus full-featured Talkback section
- Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls
- Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
