ATOMOS NINJA V THIN 5 Inch 4KP60 HDR Monitor Recorder

$389.00
Unit price per
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Ninja V is a small form factor, 1 in. thick 5 in. monitor recorder that offers amazing features to DSLR/Cinema users.

Record up to 4Kp60 10-bit HDR video direct from your camera's sensor, over HDMI 2.0. Store edit-ready ProRes or DNxHR on affordable SSD drives and bypass your cameras internal compression and record time limits. 1TB will give you 2.5hrs 4K on tiny AtomX SSDmini

The stunningly bright 5.2-inch 10-bit HDR monitor has an astounding 1,000 nits of output. It’s a sleek 1” (2.5cm) aluminium body, is crafted for maximum durability, weighs in at just 11oz (320g), and attaches to any camera rig easily.

The Ninja screen displays a stunning 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. Clearly see your images in daylight on the near edge-to-edge anti-reflection screen. The display can be calibrated for perfect color accuracy every time, with playout to HDR or SDR TV sets.

4kp60 or HDp240 Game Recording just became fun and simple from any HDMI gaming unit. Place the Ninja V in-between your unit and the TV, and record for hours to off-the-shelf SSD drives. Auto HDR flags mean perfect TV set up every time! Show off your skills or check your game development on the most stunning video recorder ever built!

AtomOS gives simple tools for accurate set up and one-touch operation ensuring a great record each take. Recording isn't complete until checked. AtomOS gives speedy playback, slow motion and frame by frame analysis for instant review.

Any production large or small needs high quality viewing. Even if you aren’t recording, the Ninja V is the best monitor available today. Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input.

Weight

Without batteries & media - 320g / 11.28oz
With batteries, media & stand - 6.0kg / 13.2lb
Dimensions (W x H x D mm) - 151 x 91.5 x 31mm

Construction

Aluminum alloy chassis with ABS polycarbonate back plate
Mounting points1/4-20 UNCscrew mount; 1x top, 1x bottom

Power

Operating power - 10 - 19W
Compatible batteries - NP-F series and supporting accessories
Input voltage (battery) - 6.2V to 16.8V
Battery time (based on 2 x 7.4V)5200mAh - up to 2hrs (monitor & record 4K +60p)
7800mAh - up to 3hrs (monitor & record 4K 60p)
DC In
Continuous power

Touchscreen

Size - 5”
Resolution - 1920 x 1200
PPI - 427
Aspect ratio - 16:9 native
Color Gamut - REC709 HDTV
Look up table (LUT) support - 3D LUT (.cube format)
Anamorphic de-squeeze - 2x, 1.5x, 1.33x, Panasonic 8:3
Technology - SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit

HDR

AtomHDR - Yes
Supported Log formats - Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
HDR Recording (Gamut)Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,
Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320
/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,
JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm
Flog, PQ10k, HLG
HDR Monitoring (Gamma)Sony SGamut / SGamut3 / SGamut3.cine / BT2020
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709
JVC LS300
Red DragonColor / DragonColor2 / RedColor2 /
RedColor3 / RedColor4 / RedWideGamut
HDR Monitoring (Gamut)Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out
Bit depth10-bit (8+2 FRC)
Brightness1000nit (+/- 10% @ center)
HDR input (PQ/HLG)
HDR output (PQ/HLG)Yes / Yes

Video Input/Loop Out

HDMI - 1 x HDMI (2.0)
Signal - Uncompressed true 10-bit or 8-bit 422
(camera dependent)

Video Output (Play Out)

HDMI - 1 x HDMI (2.0)
Signal - Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60

AtomXpansion Video Audio Power Extender In/Out

Video - Up to 4Kp60
Audio - 12 channels digital 24-bit 96KHz
Power - 5V-16.6V
Supported Codecs & Frame Rates (Record & Playback)
Video to
ProRes / DNxHR
(DNx utilizes a .MOV wrapper)
Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K
1080p; 24/25/30/50/60/100^/120^
1080i; 50/60i, 720p; 50/60p
Onboard Processing
Pulldown removal24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoringYes - Loop-out and playback
Audio In/Out (48kHz PCM Audio)
HDMI2 or 8ch 24-bit, camera dependent
AudioLine in / Mic in / Headphone out 2ch 48kHz 24-bit
Headphone out3.5mm
Built-in speakers - Yes
Remote Start/Stop
HDMI - Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
Other - LANC control - Slave
Playback
Playlist / Genlock / LTCYes / - / -
CDNG (Recorded content)N/A
ProRes (Recorded content)All recorded files can playback. Playback in slow motion.
DNxHR / DNxHD (recorded content)All recorded files can playback. Playback in slow motion.
Recording
Pre-roll recordYes (HD 8s, 4K 2s)
Custom timelapse - Yes
Meta data tagging - Yes (10 tags available)
Supported media - 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate.
Master caddy case - Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock - 2.5” SATA to USB 2.0/3.0
Supported applicationsSupported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support - FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools