ATOMOS SHOGUN Connect 7" Network-Connected HDR Video Monitor & Recorder

Network-Connected HDR Video Monitor & Recorder 8KP30/4KP120.

Complete Redesign
Shogun CONNECT builds on the pedigree of the ground-breaking Shogun product line. Every detail has been redesigned to make Shogun CONNECT the most powerful and versatile device ATOMOS has ever created.

It features a brighter 7-inch, 2000nit screen and multiple recording options to provide a premium experience for HDR monitoring and RAW recording. Shogun CONNECT supports SDI RAW inputs up to 6K at 30fps. It can simultaneously loop out standard YCC video via SDI and HDMI to multiple non-RAW compatible devices.

Unbeatable in the Field
Shogun CONNECT combines portable monitoring and professional RAW recording, with support for integrated and cloud-based workflows.

Shogun CONNECT builds on the pedigree of the ground-breaking Shogun product line. Every detail has been redesigned from the ground up to make Shogun CONNECT the most powerful and versatile device ATOMOS has ever created.

Key Features

• Our most powerful device for monitoring and recording
• Compatible with a wide range of digital cinema, mirrorless, and DSLR cameras
• Professional video connectivity including 12G-SDI, HDMI 2.0
• Monitor up to 8K HDR sources and use AtomOS tools to perfect every shot
• Record in a range of professional formats including Apple ProRes RAW, Apple ProRes, Avid DNxHD/HR, or HEVC (H.265)
• Includes full support for ATOMOS Cloud Studio

Featuring a super bright 7-inch 2000nit screen and multiple recording options, Shogun CONNECT provides a premium experience for HDR monitoring and RAW recording. In addition, it includes loop-through and cross-conversion functionality via its 12G SDI-IN and OUT interface. Shogun CONNECT supports SDI RAW inputs up to 6K at 30fps. It can simultaneously loop out standard YCC video via SDI and HDMI to multiple non-RAW compatible devices.

As you would expect from an ATOMOS device, Shogun CONNECT combines high-quality monitoring and many different industry-standard recording formats. It also transforms digital cinema, mirrorless, and DSLR cameras into devices that support a range of advanced cloud-based workflows.

Redesigned Touchscreen
The new 7-inch, daylight-viewable, highly-responsive SuperAtom IPS touchscreen is perfect for outdoor use, even in direct sunlight. All the controls are there to perform the adjustments necessary to allow Shogun CONNECT to function equally well in darker environments.

Compact and Versatile
From individuals to large-scale cinema productions, Shogun CONNECT has been built to fit into any camera rig. It features a versatile mount that can be adapted to suit different industry-standard equipment from a wide range of manufacturers. Once locked in place the mount is highly secure and offers anti-rotation settings, so you can trust Shogun CONNECT to remain in place at all times.

A Complete Monitoring Toolbox
Shogun CONNECT offers a comprehensive range of monitoring tools including a waveform, focus peaking, false color, and frame guides to help you get the composition and exposure exactly right. The AtomOS software is so easy to use and the control it provides over your images for exposure, framing or focus.

• Waveform
• RGB Parade
• Vector Scope
• Tap to Zoo
• Focus Peaking
• False Color with IRE scale
• Zebras
• Isolate Color Channel
• Cine and Social Frame Guides
• Safe Areas SMPTE Frame
• Grid Markers
• Anamorphic De-squeeze
• Display Flip Vertical
• Frame Grab
• Onion Skin Overlay

Powered for the Future
Shogun CONNECT is built around the latest ATOMOS silicon, the AtomIC3. The processor provides all the performance to handle the demands of the very latest cameras. It can manage higher frame rates and increased resolutions. Currently the device supports the RAW output of various cameras up to 4K at 120fps via HDMI or SDI, with 8K ProRes RAW recording of up to 30fps exclusive to certain cameras.

Wireless Remote Control
The AtomRemote app for iOS and macOS offers an array of external controls for Shogun CONNECT. The app enables you to perform a range of configuration tasks and operations up to 15 meters away from the device via Bluetooth LE. Input options include the ability to define camera connections, select Gamma/EOTF, and adjust Gamut settings. For monitoring, AtomRemote can be used to control playback, choose monitoring modes, apply custom 3D LUTs, or view image analysis tools including exposure and focus. Output controls include options for 4K to HD, LUT preview, and HDR output.

Wireless Timecode
ATOMOS AirGlu™ adds wireless timecode, sync, and control technology to Shogun CONNECT. AirGlu locks multiple ATOMOS devices or compatible cameras, audio recorders, and software applications together so that they share the same frame-accurate timecode. It is also able to relay recording, battery status, and disk capacity information to the server unit. Any AirGlu device can act as the server unit, which means you’ll no longer need a huge budget or get involved in time consuming post-production workflows to produce perfectly synchronized, multi-camera video.

Supported Resolutions & Frame Rates
To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. Shogun CONNECT can record more color information and immediately add value to your production with your existing camera rig. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Shogun CONNECT is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision.
Shogun CONNECT also includes 12G-SDI input, the standard on high-end cinema cameras, including the Sony FX series, Panasonic EVA1, and Canon EOS C series. The robustness and utility of SDI is critical for the productions that rely on it. SDI RAW provides the ultimate experience in terms of flexibility and quality, which makes Shogun CONNECT the ideal choice for big budget filmmakers around the world.

Resolution                                  Frame Rate
4K DCI                                         up to 4Kp60
4K UHD                                        up to 4Kp60
2K DCI 2046 x 1080                     up to 2Kp60
FHD 1920 x 1080 Progressive     up to 1080p120
FHD 1920 x 1080 PsF                  only via pulldown to progressive
FHD 1920 x 1080 Interlaced        1080i50 / 1080i60
1280 x 720p                                  60p
8K RAW                                        up to 8Kp30 Via HDMI
6K RAW                                        up to 6Kp60 Via HDMI & 6Kp30 SDI
4K RAW                                        up to 4Kp120 via HDMI / SDI
3.5K Anamorphic RAW                 up to 3.5Kp60 via HDMI
2K RAW                                        up to 2Kp240 via SDI

Professional Codec Support
With flexible options for industry standard formats and RAW codecs, Shogun CONNECT records visually lossless “hero” files that are ready for editing and proxy/sharable files that look great but are quick to upload. Shogun CONNECT is designed to be versatile and meet the requirements of your workflow. ATOMOS understands the value in being able to select the format, quality, resolution, frame rate, or file size that best suits the needs of your production.

Apple ProRes RAW
Up to 12-Bit RAW via HDMI & SDI

Apple ProRes
Edit-ready codec from Apple, with scalable levels of compression.

Avid DNxHD/HR
Edit-ready codec from Avid, with scalable levels of compression.

HEVC (H.265)*
A highly efficient compressed codec that allows you to create high-quality, low bit-rate and smaller-sized files for sharing. You can also create 4K HDR 10-bit deliverables or use the option to bake in custom LUTs to achieve specialist looks during production.

*HEVC (H.265) dual recording is only enabled in Camera to Cloud mode. To use H.265 dual or single recording outside of this mode, a separate H.265 license is required. For more information, visit www.atomos.com.

HDR & LUTs
The 7-inch HDR touchscreen on Shogun CONNECT ensures that you always see an accurate representation of your image. You can check exposure and focus, apply custom LUTs, and zoom the picture to examine specific details. The tools are designed to provide confidence that what you see is what is recorded.

Shogun CONNECT supports popular Log formats from ARRI, Canon, Fuji, JVC, Nikon, Panasonic, RED, and Sony. These can be used to preview SDR or HDR LUTs in real-time. You can load your own custom LUTs in .cube format into any of the 8 LUT slots for monitoring,  loop out, or burnt in to the recording. Simply select LUT (*.cube) files from the removable SSD.

Record without Limitation  
The ability to record up to 8K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Shogun CONNECT supports removable SSD drives, which provide the space and sustained performance to meet these needs. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Shogun CONNECT without impacting the overall footprint of the device.

There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III adaptor in the Shogun CONNECT box. 

With Shogun CONNECT the only limitation to how much you can record is the size of the SSD. A core principle of ATOMOS devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. SSD media also provides more GB per $ than camera media cards. This provides extended recorded times for long form productions or recording events. 

 Introducing ATOMOS Cloud Studio

The Future of Production
ATOMOS Cloud Studio is a collection of online video production services that represent a radical innovation for all video creators, streamers, and filmmakers. Cloud Studio allows ATOMOS CONNECT devices to livestream to popular platforms like Facebook Live, Twitch, YouTube, and custom RTMP/S destinations. It also offers full support for Adobe Camera to Cloud (C2C), powered by Frame.io, allowing anyone with a compatible camera or device to be able to capture full-resolution footage, simultaneously share proxy files, and collaborate in real-time.

Stream from Anywhere
Shogun CONNECT supports livestreaming to a range of online services including, Facebook Live, Twitch, YouTube, and custom RTMP/S. With Wi-Fi 6, Gigabit Ethernet, and the ability to join cellular hotspots all built-in, Shogun CONNECT helps filmmakers, streamers, and video content producers reach their audience from anywhere.

Remote Collaboration – in Real-Time
Adobe C2C is being used by production teams every day to share footage from the shoot with remote team members. C2C is the fastest, easiest, and most secure method to share media and collaborate in real-time. It creates a direct path from production to the post-production teams, allowing media to be transferred from C2C certified devices, wherever you are, over standard network connections to the cloud, for viewing, approval, and editing. Clips can be reviewed on any device and editors can start cutting high-quality proxy files (with matching timecode and file names) before anyone calls it a wrap. Shogun CONNECT opens the C2C workflow to a significantly wider range of digital cinema, mirrorless, and DSLR cameras, allowing more filmmakers than ever before engage in cloud-based workflows and experience the future of production.

• Premiere Pro and After Effects
• Avid Media Composer
• Final Cut Pro X
• Davinci Resolve

Adobe C2C works seamlessly with...

Premiere Pro & After Effects
Turbocharge your video workflow.
Included with Premiere Pro and After Effects, Frame.io unlocks powerful ways to securely share, collaborate, and manage projects. All in one powerful place.

Final Cut Pro
Power to the Editor.
Frame.io integrates directly into Final Cut Pro and unlocks powerful ways to share, collaborate, manage projects, and make everything happen faster — all from a single, powerful place.

DaVinci Resolve
Integrates as if it were native. Because it is.
Frame.io is now a native feature inside DaVinci Resolve Studio — no installation required. And it unlocks powerful ways to collaborate, address feedback, and manage files and projects. All from one powerful place.

Media Composer
The edit bay is now a command center.
Frame.io brings powerful tools to the Avid Media Composer workflow. So you can stay more focused, deliver faster, and collaborate across distances more easily than ever.

Physical Specifications    
Dimensions (W x H x D mm)
198mm x 133mm x 40mm / 7,8" x 5,2" x 1,57"
Weight
730g / 1.6lb (excluding batteries)
Mount points
Top: 1 x 1/4"20 or 3/8" with anti rotational points, Bottom: 1 x 1/4"20 or 3/8" with anti rotational points, Right: 1 x 1/4"20 or 3/8" with anti rotational points

Environmental
Ambient operating temperature
Up to 40 Degrees Celsius

Construction & Control
Body
Aluminium alloy chassis with ABS Polycarbonate back plate
Cooling
Actively controlled fan and heat sink
Multi-function button
Power / lock Screen
Tally light
Yes

Power
Input voltage
6.2V to 16.8V
Compatible batteries
1 x NP-F / L-Series
Battery voltage
7.2V
DC in connector
Locking DC Jack (5.5mm OD & 2.1mm ID)
D-Tap
Via optional D-Tap to DC cable

Display
Touchscreen
SuperAtom IPS panel (capacitive touch)
Size
7”
Resolution
1920 x 1200
PPI
325
Bit depth
10-Bit (8+2 FRC)
Backlight Type
Edge lit
Brightness (cdm2 / Nits)
2000nit +/-10%
Aspect ratio
16:9 Image Display
Color Gamut
Rec.709 
Calibration support
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus

Color Pipeline    
Gamma
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, RED LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log
Gamut
BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, ARRI Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT  Display
.Cube Format
3D LUT Output
Loop out 
3DLUT 50/50
Yes
Monitoring Modes
Native / 709 / HLG / PQ / 3D LUT
HDR output Conversion
HLG / PQ

Color Management    
Calibration
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display controls
Backlight, Lift, Gamma, Gain
AtomHDR
Built in Technical Log to HDR EOTF
3D luts 
Display, monitor and output, Record, Load via SSD
Legalize
Input

Video Input
HDMI
1 x HDMI 2.0
SDI
1 x 12G SDI
Bit Depth
8 / 10 bit
Video Chroma Subsampling
YCbCr 420 & 422 
HDR 
Yes with HDMI Auto detection

File Naming
Standard
S/S/T & Rolling
Via SDI
RED, ARRI

Video Output 
HDMI
1 x HDMI 2.0
SDI loop out
1 x 12G SDI
HDR
Yes with Auto detection

Audio In/Out  
Audio Quality
24-Bit / 48kHz
Audio Codec
PCM
HDMI 
8ch 24Bit, input dependent
SDI
12ch 24Bit, input dependent
Analogue Audio in
3.5mm Jack - 5v power
Analogue Audio Out
3.5mm Jack
Headphone out
3.5mm Jack

Network
Ethernet
1GbE RJ45
Wi-fi
WI-FI 6
Wireless RF
AirGlu™ SYNC Time code Network
Cellular
Connect to Hot Spot via Wi-Fi

Web Streaming
RTMP
Yes
RTMP / S
Yes

Video Signal Conversion
HDMI to SDI
Yes
SDI to HDMI
Yes

Timecode / Sync   
SDI Embedded
Embedded
HDMI Embedded
Embedded
Time of day
Yes 
Wireless SYNC
AirGLu SYNC Time code Network Server or Client
RF Network range
300m
RF Frequency 
Region dependant
Number of Channels
12 RF Channels per Region
Number of RF clients
100 clients
Bluetooth Network Range
10-15m (line of sight)
Number of BT clients
6 clients
LTC      

Resolution & Frame Rates Maximum (Record, Monitor & Playback)
8k RAW
up to 8Kp30 Via HDMI
6k RAW
up to 6Kp60 Via HDMI & 6Kp30 SDI
4k RAW
up to 4Kp120 via HDMI / SDI 
3.5k Anamorphic RAW
up to 3.5Kp60 via HDMI
2k RAW
up to 2Kp240 via SDI
4k DCI
up to 4Kp60 
4k UHD
up to 4Kp60 
2K DCI 2046 x 1080
up to 2Kp60
FHD 1920 x 1080 Progressive
up to 1080p120
FHD 1920 x 1080 PsF
Pull down
FHD 1920 x 1080 Interlaced
1080i50 / 1080i60
1280 x 720p
60p

Recording CODEC   
Apple ProRes RAW
up to 12bit 8Kp30 / 4Kp120
ProRes HQ / 422 / LT
up to 4Kp60 
Avid DNxHD
up to 1080p60
Avid DNxHR
up to 4Kp60 
h.265
up to 4Kp60 (MOV container)
Primary Codec + Proxy Record
ProRes RAW, ProRes, DNx with H.265 
Pre Roll
8 secs HD / 4 secs 4k ProRes & DNx
Timelapse
Yes
Gang control
SYNC record control

Playback
Playlist
Yes, Selected, Favourites or Combined
Loop Playback
Yes, with custom in and out points
Apple ProRes Raw
Yes, recorded clips 
ProRes HQ / 422 / LT
Yes with linear PCM
Avid DNx HD
Yes with linear PCM
Avid DNx HR
Yes with linear PCM
H.265
Recorded clips

Monitoring    
SDR
Native, 709, LUT
HDR
HLG, PQ Rec2020
De-Interlace
Selectable mode

Supported media  
Interface
SATA 3 – MasterCaddy / SSDmini / CFast II (via adapter)
Master Caddy I
No
Master Caddy II
Yes
Master Caddy III
Yes
SSDmini
Yes
CFast II
Yes via AtomX CF adapter
File System
exFAT

On screen tools
Waveform
3 sizes
RGB parade
3 sizes
Vector scope
Small / large
1 x Zoom
Tap to zoom
2 x Zoom
Tap to zoom
Focus peaking
Coloured and slider for threshold
Zebra
Customisable
False color
With IRE scale
Isolate color channel
Blue only
Cine Frame Guides
Preset and Custom
Social Frame guides
Preset and Custom
Safe areas
SMPTE frame size – Action and Safe
Grid markers
9 grid
Frame Grab and Onion skin over lay
Lossless PNG 1920 x 1080
Anamorphic desqueeze
Display 1.25x, 1.33x, 1.5x, 1.8x and 2x
Display Flip
vertical

Onboard Signal Processing
RAW to Video loop out
Yes, conversion from Larger Resolutions to 4k
4K UHD downscale for HD 
Yes, menu enabled
DCI Crop
Yes, menu enabled
I > P
2:2 and 3:2
PSF > P
2:2 and 3:2

Remote control    
Bluetooth LE
via AtomControl App

External Device Control    
Serial 2.5mm Jack
Remote to USB – Z CAM

Supported Applications
XML – Cut, Tag & Edit
Final Cut Pro
Apple ProRes Raw
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH
Apple ProRes
All Applications with support for Apple ProRes in .MOV wrapper
Avid DNx
All Applications with support for Avid DNX in .MOV wrapper

Warranty
Standard
1 Year
Extended
3 Years


Supported Log Formats

ARRI
Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 /LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600
CANON
CLog / CLog 2 / CLog 3
FUJI
F-Log
JVC
JLog
NIKON
N-Log
SONY
SLog / SLog2 / SLog3
PANASONIC
VLog
RED
Log3G10 / RED LogFilm
PQ
HLG