ATOMOS SUMO19 SE Monitor recorder and switcher

Sumo 19
The perfect on-set monitor-recorder and switcher. Sumo’s 19” screen allows you to really see what’s going on in your image.

Proven.Reliable.
With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows.

Rugged and versatile design suitable for every application

1200nit HDR
Touchscreen

ProRes RAW
Up to 6K

4x ISO+Program
Record

Live Switch
Program Out

Record up to 6Kp30 ProRes RAW
Unlock the true potential of SDI RAW cinema cameras with the Sumo 19SE. Preserve the pristine quality of the data from the camera sensor by recording in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD, and 2Kp240 DCI/HD, or record in CinemaDNG at up to 4Kp30 DCI. Sumo 19SE is compatible with the Sony FS series cameras, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT, and more.

10-bit ProRes and DNx up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at 4Kp60. With support for multiple inputs via SDI, the SUMO 19SE provides the ability to record up to 4 x inputs and also supports ProRes LT and DNxHD 36 for extended recording times.

High-bright & HDR monitoring
With 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all built into a rugged enclosure, the SUMO 19SE is at home in any location. SDI and HDMI i/o supports a wide range of inputs and provides signal cross conversion with 4K>HD down conversion options.

Live Quad-channel HD Switching & Recording
Record up to four 1080p60 streams simultaneously (via 3G SDI Level A Only) as separate ISOs, as well as a fifth “program” channel of your switched feed, whilst cueing and switching in real-time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI to USB capture device to output the switched feed for live streaming. Switching is asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras that do not support timecode/genlock inputs.

Two stereo balanced XLR inputs with 48V
The full-size XLR connectors with 48V phantom power allow you to connect two external microphones with balanced analog audio recording and monitoring. The SUMO 19SE also has dedicated meters, gain controls, and adjustments for frame delay on each channel. Mic or line-level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.

Physical Specifications    
Dimensions (W x H x D mm)

• 310mm / 12.2" x 504 mm / 19.8" x 63mm / 2.5"

Weight    

• 6.2kg / 13.7lb

Mount points    T

• op: 4 x 1/4' 20, 2 x 3/8", Bottom: 6 x 1/4' 20, 3 x 3/8" Right: 4 x 1/4' 20, 2 x 3/8", Left: 2 x 1/4' 20, 1 x 3/8"

VESA mount    

• 100 x 100

Environmental    
Ambient operating temperature    

• Up to 40 Degrees Celsius

Construction and Control    
Cooling   

• Actively controlled fan and Heat Sink

Tally light  

•  Rear and front

Multi-function button  

•  Power / lock Screen

Touch Screen    

• Yes

Power    
Input voltage  

•  DC 12-16.8v

Operating power    

• 75W

Compatible batteries    

• V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended.

Battery voltage  

•  14.4V nominal

Battery Run time (Record)    

• Depends on Watt Hours specification of battery used

Battery Run time (Monitor only)    

• Depends on Watt Hours specification of battery used

Continuous power    

• Dual Battery input via dedicated 4 pin XLR

DC in connector    

• 1 x 4 pin XLR (12-16.8V)

Dtap    

• Via optional D-Tap to 4 Pin XLR cable. 

Display    
Touchscreen    

• SuperAtom IPS panel (capacitive touch)

Size    

• 19"

Resolution    

• 1920 x 1080

PPI    

• 120

Bit depth    

• 10Bit (8+2 FRC)

Backlight Type    

• Optically bonded quantum dot

Brightness (cdm2 / nits)    

• 1200nit (+/- 10% @ center)

Aspect ratio    

• 16:9 Image Display

De-interlace mode    

• Yes

Color Gamut    

• DCI P3

Calibration support  

•  Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus

Color Pipeline    
Gamma    

• Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log

Gamut    

• BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWide

3D LUT Display    

• .Cube format

3D LUT Output  

•  Loop out

3DLUT 50/50    

• Yes

Monitoring Modes    

• Native/ 709 / HLG / PQ / 3D LUT

HDR output Conversion  

•  HDR to HLG / PQ

Color Management    
Calibration  

•  Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus

Display Controls    

• Backlight, Lift, Gamma, Gain

AtomHDR  

•  Built in Technical Log to HDR EOTF

3D LUTs    

• Display, monitor and output, Record, Load via SSD

Legalize    

• Full to Legal conversion available on Input

Video Input    
HDMI    

• 1 x HDMI (2.0) 4K p60

HDMI RAW  

•  No - HDMI Video only

SDI    

• 4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection

SDI RAW    

• Apple ProRes RAW up to 6Kp30

Bit Depth  

• 8/10Bit Video / RAW up to 12Bit

Video Chroma Subsampling    

• YCbCr 422

HDR  

•  Yes with Auto detection

Metadata    
SDI    

• File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut

File Naming    
Standard  

•  S/S/T & Rolling

Via SDI    

• Red, Arri

Video Output    
HDMI    

• 1 x HDMI (2.0) 4K p60

SDI loop out    

• 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable

SDI Play out    

• 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable

Video Chroma Subsampling    

• 422

Bit Depth    

• 10Bit Video / 12Bit RAW

Web Streaming    
USB UVC    

• Optional via ZATO Connect / USB Stick

Video Signal Conversion    
HDMI to SDI    

• Yes

SDI to HDMI    

• Yes - Video and RAW

Audio In/Out    
Audio Quality    

• 24-Bit / 48kHz

Audio Codec  

•  PCM

HDMI    

• 8ch 24Bit, input dependent

SDI    

• 12ch 24Bit, input dependent

Analogue Audio in    

• 2 x XLR

Analogue Audio Out    

• 2 x XLR

Speakers    

• 2 x 5w

Headphone out    

• 3.5mm 2ch.

Timecode / Sync    
Embedded    

• SDI and HDMI

Time of day    

• Yes, Time and Date

LTC    

• LTC via BNC input in Record mode

Genlock    

• Genlock in Playback mode

Resolution and Frame Rates (Record, Monitor & Playback)    
4k DCI    

• up to 4Kp60

4k UHD    

• up to 4Kp60

2K DCI 2046 x 1080    

• up to 2Kp60

FHD 1920 x 1080 Progressive    

• up to 1080p120

FHD 1920 x 1080 PsF    

• Pull down

FHD 1920 x 1080 Interlaced    

• 1080i50 / 1080i60

1280 x 720p    

• 60p

6K RAW    

• up to 6Kp30 Via SDI

4K RAW    

• up to 4Kp60 via SDI

2K RAW    

• up to 2Kp240 via SDI

Recording CODEC    
CDNG  

•  For SDI RAW inputs Only

Apple ProRes RAW    

• ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60

Apple ProRes    

• Apple ProRes HQ / 422 / LT up to 4Kp60

Avid DNxHD    

• up to 1080p60

Avid DNxHR    

• up to 4Kp60

Playback    
Playlist    

• Yes, Create custom play lists from full or sub clips

Loop    

• Yes, with user customizable in / out markers

CDNG    

• No

Apple ProRes Raw    

• Yes, recorded clips with linear PCM

Apple ProRes    

• HQ / 422 / LT - Yes with linear PCM

Avid DNx    

• DNxHR / DNxHD - Yes with linear PCM

Monitoring    
SDR    

• Native, 709, LUT

HDR    

• HLG, PQ Rec2020

De-Interlace    

• Selectable mode

Recording functions    
Pre-roll record  

•  Yes (HD 8s, 4K 2s) - Not available in RAW

ISO Record  

•  4 x ISO up to 1080p 60 (3G SDI Level A ONLY)

Switched Program Record    

• Yes Up to 1080p 60

Timelapse    

• Yes

Multi Input / Switching    
SDI A/B toggle  

• Yes, supports up to 12G SDI per input

Dual Input display  

•  Via Multi ISO input mode

Multiple SDI input    

• Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)

Multiview Display    

• Via Multi ISO input mode

Input transitions    

• Auto or manual XML transition

Input Switching    

• Yes

Supported media    
Master Caddy I    

• No

SSDmini    

• Yes (AtomX SSDmini handle required)

CFast II    

• Not supported

File System  

•  ExFAT

Interface  

•  SATA 3

Master Caddy III    

• Yes

On screen tools    
Waveform    

• 3 sizes

RGB parade    

• 3 sizes

Vector scope  

•  2 size / Position

1 x Zoom    

• Yes. 1:1 Pixel mapping for 4K

2 x Zoom    

• Yes

Focus peaking    

• Colour selected / threshold setting / colour/ Mono / edges only

False colour    

• Yes, with IRE scale

Zebra    

• Yes, customisable

Isolate color channel    

• Blue only

Cine Frame Guides    

• 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3

Social Frame guides    

• 9:16, 1:1, 1.91:1, 4:5

Safe areas    

• SMPTE frame size – Action and Safe

Grid markers    

• 9 grid

Anamorphic desqueeze  

•  Display 1.25x, 1.33x, 1.5x, 1.8x and 2x

Display Flip    

• Vertical

False Color    

• Yes, with IRE scale

Onboard Signal Processing    
4K UHD Downscale for HD    

• Loop out - 4K UHD to FHD

DCI Crop    

• Loop out - 17:9 to 16:9 Crop

I > P    

• 60i > 24p (3:2 pulldown)

PSF > P    

• 24/25/30pSF > 24/25/30p (2:2 pulldown)

Remote control    
HDMI  

•  Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard

SDI    

• SDI trigger, camera selectable

Serial 2.5mm Jack    

• LANC control and calibration via optional USB to serial cable

Cut & Tag    
FCP XML    

• Cut tag EDL and Multicam with transitions in FCP XML

Supported Applications    
XML    

• Apple Final Cut Pro

Apple ProRes RAW    

• Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH

Video Codecs    

• All applications with support for Apple ProRes and Avid DNX in .MOV wrapper

Warranty    
Standard  

•  1 Year

Extended    

• 3 Years

Target use / User    
Cinema    

• Yes

Director Monitor    

• Yes

Mixer/Swircher/ProAV    

• Yes

Rack/OB    

• Yes

DIT/Video Village    

• Yes

Pro Video  

•  Yes

Editor/Colorist    

• Yes